Studio Monitor Placement: Where to Place Studio Speakers (2023 Guide)

Do you want to know the optimal placement for your studio monitors? Here is our guide on how to find the best speaker placement in your home studio.

When you buy through links on our site, we may earn an affiliate commission. As an Amazon Associate I earn from qualifying purchases.

You’ve bought studio monitors, the digital audio workstation, audio interfaces, bass traps, condenser microphones, multi-track recording equipment, and other pro tools, as well as paid to get the room’s acoustics perfect. The final pieces in the recording studio jigsaw are high-quality surround speakers. However, shelling out all that money for your speakers means nothing when they haven’t been set up properly. You can’t just put them where you want to and hope for the best.

No, your speakers deserve better than that—you need to find that sweet spot. They’re doing a lot of work for you, layering a sonic story with their rich vibrations, but your room doesn’t appreciate it that much.

So, you have to position your equipment and make the right modifications to your room to make sure you’re getting optimum sound from your speakers.

Why Positioning is Important

Recording studio monitors allow you to listen back to what you have recorded. This is an incredibly important part of the editing process. If studio monitors are positioned correctly, then you can hear every single detail and flaw. Then, it’s up to you if the flaws can be fixed with editing or if the piece needs to be recorded again. Missing important details can lead to embarrassing problems with the final recording.

Sound waves will bounce off some surfaces and be absorbed by others. This is why you set up acoustic panels, diffusers, and bass traps inside your studio. However, even with all of the extra components, you need to ensure that your speakers are positioned in the right direction.

Where are you sitting?

First, you need to choose where you’re going to put your desk. This is where you will be sitting when you are listening back to what you have recorded. Ideally, you will want to place your desk away from walls and leave enough room to set up your monitors away from the walls as well.

Not only does this allow for the best sound quality but it also gives easy access to the wiring which can save you a lot of time when troubleshooting.

You’ve most likely set up your home studio at, well, home. Nearly all bedrooms are rectangles, which means that there will be two walls longer in the length. When you set up your speakers, position them so that their backs are to the shorter wall and their sound travels along the longer walls. This way, sound can travel farther without hitting a wall, causing an echo.

By sitting against the short wall, you give your ears the maximum distance from the rear wall, letting you listen to the maximum audio. According to Arqen Sonic, the minimum distance between the back wall and your ears should be 10 feet.

This position gives you a flatter bass response so it’s not bumping and making your walls shake. That can be fun at first, but gets annoying when you’ve been listening to your mix for a couple of hours.

Your sitting position should involve the desk, computer, speakers, and other equipment you’ll need. Be sure you have a comfortable chair, or else you’ll hurt your neck as you listen to your speakers and work. You know, you need your neck.

Now that we’ve got the sitting position covered, let’s move onto the next question.

Where do your speakers point?

Now that you have chosen the position of your desk, you can choose where to place your speakers. You want a triangle shape with the speakers making up two corners of the triangle and your head making the third corner. Imagine an equilateral triangle and, if necessary, break out the measuring tape. Angle the speakers to point toward your head.

Imagine for a second that your speakers shoot laser beams instead of noise. While it would be a cool thing to see happen, this will help to make sure that the laser beams are properly placed so that everything goes smoothly (and nothing gets obliterated).

When your speakers shoot out their laser beams, the laser beams face difficult conditions in the room. The beams are affected by the dimensions of your room, where hitting a wall will cause the power of the beam to dissipate.

You want the monitors to also be the same height as your ears. Obviously, monitors are bigger than your ears so, if possible, position the high-frequency tweeters to be at ear level. This gives the clearest sound possible.

Again, this is not a hard and fast rule, and it will not make your studio setup sound “bad” if you can’t achieve this positioning; this is simply a rule of thumb to follow.

If you have that measuring tape still handy, then you can use it to confirm your speaker placement. Ideally, you want at least 8 to 12 inches between your speakers and the walls. It’s also important to keep distances from walls consistent between your monitors. If one speaker is 8 inches away from the back wall and 3 feet away from the side wall then you should try to have your other speaker placed similarly when compared with the other walls.

See where we’re going?

To overcome the conditions in your room, which are hard to control (unless you buy your own professional recording studio), you’ll have to take the easy route and position your laser beams—er, speakers—in an equilateral triangle.

There should be two speakers a bit more than shoulder length apart in front of you. The speakers should be turned inward so that if they did shoot lasers, they’d hit your head.

By doing this, you get the most sound hitting where it needs to hit: your ears. And the better quality speakers, the better you’ll be able to hear the intricacies of the musical texture you’re playing.

If you want to make your studio speakers even better, buy a third speaker. Then, place one speaker in front of you. After that’s done, place one speaker behind you hitting your right ear and another one behind you hitting your left ear.

Overall, if your speakers shot lasers at the same time, the lines would make a peace sign. Your head should be in the middle of it. Wrong positions include speakers that are placed in any direction but are not aimed at where you’ll be sitting when you listen to/edit your sound. That would be like shooting a laser at the wall. It’s useless. Whether you have 2, 3, or 10 speakers, make sure to place them all facing you so that you get the best sound.

You should get optimum sound quality in a surround sound setting. The speakers also add to each other and make the sound quality richer and more authentic.

Where are the speakers placed?

While pointing the speakers properly is good for making sure they’re heard most efficiently, lower notes (e.g., bass notes) are felt more than they’re heard. If you place a speaker on your work desk, you’ll disproportionately feel more notes than you’ll hear, skewing the sound experience.

Opt to get a separate stand for your speakers or attach them to a wall. That way, you are properly distanced from the speakers and don’t feel the vibrations coming from the lower bass notes.

If your monitors did not come with stands then you should seriously consider buying a set. This will help a lot with placing monitors at the same height as your ears as mentioned above.

Monitor stands are also designed to work better with sound when compared with other surfaces like placing your monitors on a desk or bookshelf. If you are placing your monitors on a desk or shelf then you can look at isolation pads to improve the sound quality.

But wherever your speakers are placed, be sure to heed the same advice above—that the speakers are pointing directed at your head, that they’re a good distance away, and are equidistant at equal volumes.

Other Considerations When Setting Up

Now that you have your speakers placed, there are still a few things to consider before the job is done. Take a few moments to check out your setup and make sure everything is complete to ensure the best listening experience possible.

When placing your subwoofer, you will want to try and keep it on the same plane as your speakers. This is a fancy way of saying to place it in-line with the speakers. Ideally, somewhere in between the two speakers is where you will put the subwoofer.

Many speakers will include features to help improve sound quality based on various situations and setups. Review these features in the documentation included and make use of them if possible. No two studio setups will be the same, and you may run into some sound issues that can be resolved by using the features built into your speakers.
Finally, you will want to look at calibrating your speakers for optimal performance. Review how to calibrate a studio monitor setup and take the time to get the best listening experience possible.

If you don’t want to go through this process you can always hire a professional to do it for you. This may seem like too much expense for an amateur recording artist, but if you are serious about the quality in your studio, then you might want to consider taking on the extra expense.

To hit that sweet spot, follow these rules and consult your speaker’s instruction manual when in doubt. You will get a top quality studio experience without having to break the bank and purchase fancy new equipment.

A Few Mistakes to Avoid

Skip hyped up speakers. If you’ve gone to a music store and turned up a speaker, it probably sounded bright and loud and awesome. “Heck, yeah! I’m totally gonna’ get this speaker,” you say to yourself.

Speakers in big box type stores are often “hyped,” meaning that the bass and treble are emphasized to create a punchier sound. While this makes the sound more exciting, it muddles what the mix actually sounds like.

When you edit on a hyped-up speaker, the sound will be good in your editing room but not on speakers that aren’t hyped up. So, when you go shopping, get a speaker with a neutral balance or set the EQ yourself.

Avoid bad angles. We can’t stress this enough. When you set up your speakers, make sure that they make an equilateral triangle with the point being your head. That means that the angle between you to your left speaker and you to your right speaker should be 60°degrees (or 30° between each speaker) according to Joe Albano from Ask Audio.

You don’t have to whip out a compass, but make sure you use the laser trick to put the point of congruence on your head. If you don’t, you’ll end up hearing the flat zone in the middle of the speakers, which you’ll adjust to in the post and affect the sound of your music.

Deflect reflection. Having too much absorption in the room makes it sound dead and lifeless. But you should stay away from strong, short reflections that can cause excessive comb-filtering (tonal irregularities due to wave interference).

This will muddy your sound, for example, and make it difficult to pick out the “room tone” in the recording itself, according to this article from Ask Audio. Not being able to tell the “room tone,” muddles up how much ambiance and effects to add.

Leave some sound waves to reflect off your back wall, allowing weaker, long reflections to create a comfortable listening environment.

Don’t be too loud. Even if you’ve managed to place your speakers with utmost precision, all that work will go to waste if you listen to your mix too loudly.

Listening to your monitor too loud poses many dangers. First, and most seriously, listening to your music too loudly can permanently damage your hearing. Prolonged periods of listening to loud music can lead to deafness, tinnitus, and other hearing problems.

However, there will come a time when you will have to blast your speakers. It’s to test the compression and see if all the sounds fit together, according to John Rogers of JR Mastering. If your speakers are too close, you’ll blow your eardrums out.

So, yeah, don’t do that to your ears.

But listening too loudly is bad for your mix as well. If you monitor too loudly, you can set your mix to be good only if the listener listens loudly too, which is not always the case.

For example, you’ll probably set the bass lower if you listen at a loud setting making it sound weak at a quieter volume. Overall, your mix can sound thin and screechy if you monitor too loudly.

Many engineers recommend working at around 83–85 dB SPL. You can check this level with an SPL-Meter app on your smartphone, according to Digital Domain.

Here are a few notes.

  • If one speaker is, say, four feet away from you, all other speakers should be four feet away from you as well. This way the volume coming from each speaker will be the same and you get a consistent sound when you listen.
  • However, you can manually adjust farther speakers to be louder and closer speakers to be quieter. It requires more tweaking than getting the speakers to be the same distance from you, but you can make it work.
  • When you buy speakers, try to get the same type and brand for all that you want to use. If you splurge on one speaker but skimp on the other, you’ll get an asymmetrical listening experience that can throw off how you edit your music.
  • Be sure to set your chair so that it isn’t halfway between the front and back walls. If you do, you’ll find yourself in the flattest possible bass zone, which will again affect how you hear your sound.

What are the best budget speakers for your studio?

Overall Best Studio Monitors (for the money)

KRK 5" Classic Studio Monitor
  • High/Low-frequency controls contour your sound for environment, preference, and music style, and the custom bi-amped, class A/B amp offers large headroom and low distortion
  • Soft-dome tweeter with optimized waveguide provides smooth, pristine and articulate highs up to 35kHz
  • The low-resonance enclosure minimizes distortion and color, and the lightweight, glass-aramid composite woofer delivers clear midrange and tight bass
  • Flat Low Frequency Adjustment adding versatility and improved accuracy for mixes that translate in different environments
  • Superior low-end extension with optional setting of plus-2dB KRK Bass Boost acclaimed by music creators worldwide

For crystal clear sound in a compact speaker, get the KRK Rokit 5. The bass is full, and the treble is strong without sounding reedy. High-quality sound is guaranteed, with no cracking or wavering when you first turn on the speaker.

Personal adjustments allow you to change the system to your personal tastes, and you get consistent awesome audio with these at an affordable price. And, best of all, they come in a pair so you can quickly set up the proper speaker triangle for your studio.

Besides, the yellow against the black just looks really good. The KRK Rokit 5 will look great in your home studio in addition to providing awesome sound, serving you for years to come.

Second Best Studio Monitors (for the money)

M-Audio BX5 - 5 inch Studio Monitor Speaker for Music Production & Mixing with Acoustic Space Control, 100W 2 Way Active Speaker, Single,Black
  • Professional class A/B bi-amplified design with 100 watts of distributed power for studio-grade cohesive, accurate sound and ultra-wide range 52-35kHz frequency response covers full musical spectrum
  • Superior transparent sound quality: 5” low-frequency drivers with Kevlar cones for rich, defined lows and 1” high-frequency drivers with natural silk domes and computer optimised waveguides for smooth, clear highs
  • Versatile, conveniently located XLR balanced and 1/4” balanced/unbalanced inputs for connecting mixers, audio interfaces, instruments, DJ gear and more
  • Acoustic Space Control customises the sound output to the listening environment for sonically-true, reassuringly-accurate sound reproduction
  • Extended low-frequency response down to 52Hz courtesy of optimized rear ports that minimize air turbulence and acoustic distortion

If you like bass, you’re definitely going to love this M-Audio monitor. It’s an entry-level, compact, desktop monitor that is flexible, with uncovered speaker cones for improved sound quality.

Audio engineers and producers from all over-rely on the beautiful M-Audio monitors, and you can enjoy the same professional standard right on your desktop. They’re sleek, powerful, and sure to get the job done.

Best Budget Studio Monitors

Mackie CR-X Series, 3-Inch Multimedia Monitors with Professional Studio-Quality Sound - Pair (CR3-X)
  • Professional studio-quality sound
  • Front-facing headphone jack auto-defeats speaker output
  • Flexible inputs - 1/4”, 1/8”, and RCA
  • 50 watts of clean, articulate stereo sound
  • Hookup cables included

If you’re looking for more budget-friendly speakers, the Mackie Creative Reference series is for you. You get a studio-quality design with professional-grade components for optimized sound performance.

The Mackie Creative Reference Multimedia monitors are ideal for multimedia creation and recreation. They are made from only premium materials that not only look great but are designed to give the best sound for cheap without sacrificing quality.


There was a lot of info in this article. Just to sum things up, here’s a brief list of things we covered:

  • Make your speakers an equilateral triangle
  • Make sure there’s even volume with both speakers
  • Hang up your speakers so that they don’t touch your desk
  • Skip hyped speakers
  • Don’t put them too close to your ears or listen to your recordings too loud
  • Sound reflection is your friend
  • Get some awesome speakers like the ones listed above!

Any sound engineer is only as good as the tools they use. Sure, there’s some baseline talent involved with making audio art, but without proper equipment, they can only go so far. It’s like a painter using cheap paints, brushes, and canvases.

That’s why placing your speakers with precision is crucial since it creates the setting in which you’ll listen to your sound. Setting up proper speaker placement isn’t easy to do, but we hope this article helped you.

Take a glance at the other sources cited here as well, as some of them have good graphics to visually help you along.

Now go out and make the recording studio of your dreams!

Leave a Comment